| Technical Highlights |
| The Seven Millionth Philco |
| The 116X's Standard Broadcast Band Coverage (or lack of it!) |
| It is of note that the 116X's broadcast band coverage extends to just 1500kc*, which was the band's upper limit when the 116X's legacy type 16 chassis was introduced in June of 1933. About a month later, at the North American Radio Conference, the 1500- 1600kc region just above the band was re-designated for the band's expansion. Then, that December, with the imminent arrival of high-fidelity receivers, the FRC authorized a number of experimental "high-fidelity" stations having frequency allocations within the new space with 20kHz channel spacings. Although this enlarged band was not made official until March of 1941, radio set manu- facturers scrambled to accommodate it. Most new Philcos, including all the true "high-fidelity" models starting with the 200X in 1934, were as a result designed to provide coverage to at least 1600kc. But this was all too late for the 16/116. The fact that one had to change bands to receive the high fidelity stations, along with the set's lack of an IF control, only served to highlight its pre high-fidelity era legacy. If one wanted a true "high-fidelity" Philco for 1936, one had no option but to buy the more expensive 680X. * see table in the Technical Highlights section below The 116X's chassis, which was basically that of the earlier model 16, as it stood in 1936 was at the end of the road. It had served admirably in one form or another since 1933, the days of its roots in the model 16, but its shortcomings rendered it unsuitable for the new generation of high-end receivers. Philco, by upgrading its audio and through clever advertising, had managed to eek out a successful year of sales for it in 1936, but that would be it. The next season would see the introduction of a brand new model 116, based upon an entirely new 15-tube chassis with true "high-fidelity" capabilities, at least as they were then understood. That set would be priced very similarly to the 1936 model and yet would prove to be one of the best Philco sets ever made. |
| The 116X is a 5-band ac-powered super-heterodyne using 11 tubes, with RF stage, dual IF amplifiers and, in the words of Philco, a "High-Fidelity audio system", based upon a pair of 6A3 triodes operated in "super class A" push-pull and providing a maximum of 15W undistorted output. The 6A3 was new for 1936, being a 6.3V version of the sweet-sounding 2A3 that is still a favorite of audiophiles today. In addition, the 116X embodies what Philco described as a "High-Fidelity two-in-one loudspeaker", mounted inside a sound-diffusing cabinet that also contained acoustic clarifiers for equalizing cabinet resonance. Unlike Philco's top-of-the-line High-Fidelity sets, such as the 680X from the same model year, the 116X does not feature variable IF bandwidth control, but it is provisioned with a comprehensive but conventional 5-point tone control, having settings of 1) mellow; 2) Brilliant; 3) Speech; 4) Normal; and 5) noise reducing. Automatic Bass compensation is applied at low volume settings. The 5-band coverage is:- The tube line up is:- 78 (RF amp), 77 (mixer), 76 (LO), 78 (1st IF), 78 (2nd IF), 37 (2nd detector), 77 (1st af), 42 (driver), 2 off 6A3 (push-pull af output) and 5Z3 (rectifier). The 116X uses the code 122 chassis versus the code 121 chassis employed by the 116B tombstone radio. The 122 uses a 5Z3 rectifier in place of the 121's type 80 and 6A3 triodes in place of type 42 triode-connected pentodes, providing higher audio output (15W versus 10W). The schematic can be found here, courtesy of nostalgiaair. |


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| "One feature alone does not make a radio. Philco achieves its marvellous tone, power and foreign reception from the exact matching and balancing of EVERY worthwhile feature!" |
| "The 116X is a true High-Fidelity instrument with a vastly extended musical range which brings out the overtones that identify and distinguish the many and varied musical instruments" |
| "The seven millionth Philco has just been produced... an unparalleled achievement that tells you more about Philco leadership for six successive years than a thousand claims or promises. In celebration Philco dealers are now offering the greatest values in radio history... plus free demonstrations, bigger trade-in allowances and easier terms" "...radio dealers have arranged special window displays for this week, commemorating the production of the seven millionth radio receiver by the company. The seven millionth radio built by the company was a 116X and duplicates of this model, each bearing a medallion designating it as such a duplicate, [are] a feature of the displays" |
| more... |
| "High-Fidelity is indispensable for full musical appreciation. Clarity of tone is equally important. New and exclusive Philco Acoustic Clarifiers automatically prevent unpleasant, barrel-like boom and produce clarity of tone such as you've never heard before. All the extended musical range and clarity of tone created by Philco High-Fidelity and Philco Acoustic Clarifiers are preserved and projected up to ear level by the large area and slope of the famous Philco Inclined Sounding Board" |
| The 116X's Inclined Sounding Board |
| In the list of 116X features above, reference is made to the use of an "inclined sounding board" (ISB)*. Its means of embodiment is however quite different to that of the 112X, one of the first Philco sets to use the innovation. At a first glance it's easy to miss the fact that the 116X has an ISB at all! However, close inspection reveals that the entire 116X front is gently inclined and that the speaker baffle itself is yet further inclined to this. These traits are readily apparent from the profile view of the 116X presented in Figures 2 & 3 of Benjamin Nash's patent (D101063). That Philco should have gone to such levels to artfully accommodate the ISB in their ongoing console line, several years after its introduction, only goes to show their level of confidence in its technical merits. *see my 112X page for further details on Philco's ISB |